34 collection.

the title 34 collection emerges from a decade-long encounter with the number 34, a recurrence the artist associates with moments of creative intuition. this frequency, both symbolic and elusive, becomes the conceptual anchor of the work.

at its core, 34 collection is an instrumental piano cycle of nine improvised compositions. each piece originates from a single word drawn from the artist’s earlier work art is hygge, transforming language into sound. the project exists in dual form: music and visual art. every composition is paired with an individual artwork, extending the improvisation beyond the auditory into the tactile and visual.

in this way, the collection situates itself between disciplines, inviting the audience to experience improvisation not as ephemera, but as a lasting dialogue between word, sound, and image.